The second day we had to wake up way early. We had scheduled a boat tour stopping at three places the day before. I’m still not completely sure where we ended up going, but it was definitely worth the money and the devotion of one full day.
At something like 7:40 a.m. we pushed ourselves out of the hotel’s front door. There, after a five-minute wait, came a minibus to pick us up and transport us to the boat dock on the other side of the island. Along the way, the bus gradually filled up to the brim with passengers from other hotels as well.
We got to the dock to find crowds of people there. It kind of reminded me of my hometown—it was 80% white, which, while not necessarily a bad thing, was definitely unexpected.
Snooping around and listening to the noise, it became clear that a great deal of them were Australian. There were some French and English people, but the Australians were so prevalent that one of my friends who is Australian herself told me that their stereotypical accent was annoying. I have often had the same sentiment as of late, I’ve noticed. Copious amounts of the word “like,” in conjunction with rising intonation at the end of every sentence—“They talk in questions!”—has really begun to irk me.
The boat that we loaded onto had three decks—the lowest and cheapest, the middle V.I.P. section, and the upper deck not reserved. As expected, the crowds flocked up to the upper deck, for the views, for the air, for whatever. We claimed the cheap seats that we were meant to claim, which was fine, because there was plenty of open space on the middle deck for fresh air and water viewing—or so I thought.
We arrived at the first stop about half an hour after disembarking. With white-sand beaches, there were plenty of lawn chairs (that turned out to cost money, so we moved), and colorful fish to go around. To get off the boat, we had to get onto smaller (motorized) boats to get to shore.
One of my friends bought bread for the fish (that they were selling onboard), and she shared it with us. Like little kids, we threw the bread into the water and watched the fish converge. I started with small niblets that were consumed quickly, but I ended up submerging the rest of my piece in the water, allowing the fish to take hits at it while I still held the other side.
My friends proceeded to have drinks out of pineapples while I consumed a can of Coke. They then posed with the tops on their heads like hats. The weather wasn’t overly sunny. In fact, it was more overcast in nature, and it seemed like it was going to rain.
I know that I have trouble with weather. I complain in rain, I know, and whine when the temperature is less than 60 degrees. The thing is that I have trouble predicting weather as well. The first time it rained while I was in Hong Kong, I stepped out of the front door of the hall with a short-sleeved shirt, short pants, and flip-flops. That day, I slipped twice, and bought an umbrella. The next day I slipped again and waterlogged my right foot in a wet shoe. At least the second day I had a sweater. In planning for Taipei, I figured that since the temperature said 29 degrees Celsius, I wouldn’t have to worry about rain. Wow, was I wrong. The first two days it poured like I’d not seen in a long time. There, I bought another umbrella (this time plaid). I guess in California, it has to be under a certain temperature to start raining, and if it’s about to rain, the temperature will first drop.
And it started to rain when we were back on the big boat, going from the first destination to the second. (The first I can’t remember the name; the second Maya Bay). All the people lounged on the upmost deck started coming down, and I had the pleasure of informing them that the seats around me were taken. When it stopped raining between the second destination and the third (Maya Bay and Phi Phi Island), they selfishly went right back up to their undeserved seats.
Also, sitting down on the boat took longer than necessary, specifically and definitely because people filing on wanted to get their hands on the buffet onboard before sitting down. They just couldn’t sit down and allow everyone else to sit down so that the boat could start going before they crowded the buffet trays. Oh well.
Maya Bay was amazing. With sheer cliffs surrounding the bay, except for one private beach area, the water was deep. The tour came with snorkeling equipment, so we went snorkeling around the bay, diving and encountering fish. The water was cold (though not as bad as my parents’ pool) and the fish remained systematically unfriendly, but the experience was amazing. I had snorkeled before, the latest that I can remember being in La Jolla Cove (near UCSD).
I also learned about some sea critters that I had no knowledge of. In the water, it felt like I was getting pinched all over, but not by fingers. My Australian friend enlightened me to the fact that those were sea lice, and that she has them back home. Apparently, I could feel only around a quarter of the bites plaguing me.
Between the second and third destinations, there was about an hour of travel time. Getting seasick inside, we headed out to the deck. The spacious room seemingly apparent earlier in the trip seemed to disappear under the crowds—and by crowds, there couldn’t’ve been more than fifteen people on the bow of the vessel. The three-to-four person benches were being occupied by but a few (large and) inconsiderate people. To onlookers, they gave haughty looks, like they deserved those seats. And maybe they did deserve those seats, because the four of us got a deal on that daytrip. The price advertised for the day was ฿2200 THB per person ($66 USD), but when the four of us asked for a discount (because the travel agents give them out left and right), they quoted for the four of us just ฿3600 total, or ฿900 per person ($27 USD). In short, anyone who didn’t ask for a discount got gypped. We resorted to standing along the edge of the boat with plenty of fresh air but not seats.
The last stop on that trip was a town on Phi Phi Island. It was most definitely a tourist town, but walking through it, hawkers weren’t nearly as aggressive back on Phuket Island. They only started if you walked into their shop, having of course shown interest.
Wondering what I bought in Thailand, then? Well I bought a few postcards to send back home, but also I got a few novelty-type t-shirts. One said Red Bull (as in the energy drink brand) in Thai along with the iconic logo. Originally, Red Bull is from Thailand and its English name is a direct translation from the Thai name กระทิงแดง, and not the other way around. The other was a Coca-Cola t-shirt in Thai. My friend going to India said that if she found an iconic logo in a foreign language on a t-shirt, she would post me one.
The town was more peaceful and quiet than Patong Beach, and when we went exploring, we ended up on a different beachfront and had to retrace our steps to get back to the proper beach (and eventually the boat). Along the way were multiple companies offering diving and scuba certification. If I had free time and unrestricted money, I would do that.
The journey back to the dock on Phuket Island was an hour and forty-five minutes. This was followed by a cramped minibus ride back to Patong Beach, with me keeping my knees firmly touching so that I was not nudging the guy on my left and so that I didn’t hit the gearshift on the right. (The driver sat on my right, as the country drives on the left for the most part).
That was a tiring day and a tiring night. We went through many more markets and I found myself buying like 24 fl. oz. of Thai tea from the neighborhood 7-Eleven. Going through the markets was much more fun than going through markets in Hong Kong and Mainland China because the semblance of those places (such as Stanley Market on the south side of Hong Kong Island) to Chinatowns back home (I’ve been to those of Los Angeles—Chinatown and Monterey Park, San Francisco, and Chicago), is quite high. However, in Thailand, the merchandise and the approach to salesmanship were so different.
That night, I did little studying. The next day, we flew back to Hong Kong. After the same minibus ride, we arrived at the small airport to find lines flying like rat-tails out of the entrances. After waiting and entering the building, we realized that it was because they do security checks upon entrance into the building, rather than after check-in, as I’ve seen in all other airports.
I ended up studying less than imagined on the plane because I was super tired. Though the test went alright, I wondered a mere day earlier what was with the plane that I was on. The airplane (an Airbus I believe) was billowing steam from the joints between the overhead compartments and the walls and ceiling. It became more disconcerting as it became so noticeable that people began taking pictures of it as it obscured the ceiling. Eventually it subsided and I was never so glad to land as I was during that flight.
It’s a shame that I didn’t get to travel more outside of Greater China, this trip has made me realize. No matter how much Taiwan tries to act independent and no matter how much Hong Kongers look down at Mainland Chinese habits, the fact of the matter is that the places are so much more similar to each other than to other east Asian countries, and for that I feel I’m missing out.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
Showing posts with label Introduction to Asian Art. Show all posts
Showing posts with label Introduction to Asian Art. Show all posts
Monday, November 30, 2009
Phuket: Pad Thai and Elephants
As of late, I’ve had to focus my time and effort into my studies, so my blogging has unfortunately not been as frequent as I like. As a result, I’ve begun to fall behind again.
Now two weekends ago, we managed to make our way over to Phuket, Thailand (ภูเก็ต). The name isn’t pronounced as crudely as it looks. As I was enlightened, the “h” in Phuket (as well as in “Thai”) denotes aspiration, think puff of air, rather than an “f” (or “th”) sound in conjunction with the “p” (or “t”). As such the “Ph” at the beginning as “p” like at the beginning of the word “pin.” Glad we got that one straightened out.
Secondly, Phuket is an island, according to my research. Telling my friends though was an uphill battle, as I had to contend with faulty logic in convincing them—example of which include: “I don’t think it’s an island because I don’t think it’s an island;” “But there’s buses going to Phuket”—ever heard of bridges?; and my favorite, “It doesn’t look like it on the flight map”—well I’m sorry, but small islands aren’t worth drawing as separate from the mainland when covered by a dot and lines—does Singapore look like an island on the flight map? As I would later find out, that friend didn’t know Singapore’s land mass consists of one main island and a number of smaller ones. And Australia is smaller than China, but only by about two million square kilometers. Cool.
Well we landed after four hours of flying from Hong Kong (I remember five hours from Los Angeles to Washington, D.C.), and went through immigration. Like in Taiwan, the officers stapled our departure cards to our passports, but we went through without a hitch.
On the other side, I pointed out the stand of tourist maps saying “Welcome to Phuket Island” in English and when we went up to the taxi counter to get transportation to our hotel about an hour away at Patong Beach (หาดป่าตอง), there was a map clear as day showing the island formation. Without rubbing it too much into their faces, I gave them haughty looks for fun as they looked away in shame, realizing that their (faulty) logic had been to no avail.
We ended up in a minibus (smaller than Hong Kong minibuses) to Patong Beach and our lodging, the Patong Swiss Hotel. The whole ride was in the dark, but from what I could see (mostly buildings), it became obvious that we weren’t in China anymore. The funny thing was that this was the first time on the whole trip that we (myself included) had been outside Greater China. As I’ve just recently figured out, this was to be my last trip outside Greater China before going back to California.
The thing is, though, that despite the fact that we were in a foreign foreign country, there was more English on signs and in general than Thai (which by the way is quite aesthetically pleasing). Our minibus stopped midway at a storefront to collect our tickets, and after politely refusing their tours and excursions, I got back onto the bus.
Arriving at the Patong Swiss Hotel, I was exhausted. By this time, it was about 1:00 a.m. Hong Kong Time and about midnight local time. Ready to lie down, we checked in to find that they had given us just two beds for our five-person reservation. One person got sick though before the trip, so we arrived as four. So the first night we ended up sharing beds, though the next morning we were given two bigger rooms (and me my own bed). Like in Guilin, the showers were without curtains, which only meant to me that the cleaners would have more work (though I tried hard not to get water everywhere).
That first night, I studied for my Fine Arts final, which was to take place the day after we got back to Hong Kong. The rest of them went out exploring Patong Beach nightlife.
The first morning, I woke up in a rut. It was quite hot and humid (though admittedly not as bad as my first weeks in Hong Kong), and we had just come from sub-75 degree temperatures back in the SAR.
After getting ready, we went out the front door, and much to my amazement, the beach lay right across the (two-lane) street from the hotel. I hadn’t noticed it at all the night before! I guess I forgot that my friend booked us a beachfront hotel.
We walked a couple blocks along that street. What was expected were the large volumes of shops selling merchandise, particularly knock-off brands. What wasn’t expected was the large number of expats there—and I say expats rather than tourists because most men were hand in hand with Thai women (though I remain open to the interpretation that many of them could just be escort). It was odd to see such a large expat population, but on the other hand it wasn’t unreasonable since they, along with the large numbers of European and Australian tourists present, were the reason for all the English signage.
Walking by, the hawkers try to grab your attention—and they do it much better than in Mainland China and definitely better than in Hong Kong, where they don’t even attempt. There, they understood the value of the relationship in business. Rather than pulling you in by listing off their merchandise, they’d start by “Hello, where are you from?” or “My you’re handsome,” or something to that effect. I personally got a lot of “你好s.” One of my American friends who speaks Cantonese answered back: “I speak Cantonese” in English, to which I laughed.
We got breakfast at one of the many done-up venues. I got some authentic Pad Thai, which was delicious, and some (real?) Thai Tea, which tasted more like cold milk than anything else.
This is the only trip that I took this term that I didn’t really take to get any historical culture out of—no sightseeing, more fun I suppose (though I enjoy sightseeing).
So that day we actually got to ride (Asian) elephants. It cost ฿500 Thai Baht for a half hour (฿33 Baht = $1 USD), so that was like $15 USD. The experience wasn’t really like I’d imagined. I’ve ridden on horseback on multiple occasions (and my fair share of carnival ponies when I was under three feet tall), but never an elephant.
There was a platform to mount them that was a good ten feet in the air. Getting on was intimidating, as you were to step onto the elephant’s back to get into the seat secured on the elephant. The guide sat right behind its head, on its neck with his feet touching the elephant’s ears. To move left, the guide would shake the elephant’s left ear with his left foot, and to move right, the guide would shake the elephant’s right year with his right foot.
The whole thing made us feel oddly sad for the elephants, and remembering back the horses, I remember having similar sentiments, only to cast them off by saying that we aren’t the first to do this.
We were taking all over a muddy trail. The barefooted guide dismounted the elephant halfway and took pictures of us, this led the elephant back to the base with voice commands. At one point, the elephant began to make a wrong turn, and the guide hit its right leg hard with a sickle-looking rod, making a vicious sound and making us wonder what was going on.
I guess we couldn’t help but to feel sorry for the elephants. I guess you could hope that at least they are well taken care of and fed properly. As we dismounted the elephants, one put its trunk up on the platform. My friends petted it, thanking him (or her) for his (or her) service. I guess I was too busy taking photos, because as I reached my hand out after putting my camera away, it retracted its trunk and went on its way.
The rest of the day we went around the shops and played a modified (and more intense) form of Jenga at a bar. At night, we got Mexican food. Right after, I went back to the hotel to keep studying for my Asian Art History class.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
Now two weekends ago, we managed to make our way over to Phuket, Thailand (ภูเก็ต). The name isn’t pronounced as crudely as it looks. As I was enlightened, the “h” in Phuket (as well as in “Thai”) denotes aspiration, think puff of air, rather than an “f” (or “th”) sound in conjunction with the “p” (or “t”). As such the “Ph” at the beginning as “p” like at the beginning of the word “pin.” Glad we got that one straightened out.
Secondly, Phuket is an island, according to my research. Telling my friends though was an uphill battle, as I had to contend with faulty logic in convincing them—example of which include: “I don’t think it’s an island because I don’t think it’s an island;” “But there’s buses going to Phuket”—ever heard of bridges?; and my favorite, “It doesn’t look like it on the flight map”—well I’m sorry, but small islands aren’t worth drawing as separate from the mainland when covered by a dot and lines—does Singapore look like an island on the flight map? As I would later find out, that friend didn’t know Singapore’s land mass consists of one main island and a number of smaller ones. And Australia is smaller than China, but only by about two million square kilometers. Cool.
Well we landed after four hours of flying from Hong Kong (I remember five hours from Los Angeles to Washington, D.C.), and went through immigration. Like in Taiwan, the officers stapled our departure cards to our passports, but we went through without a hitch.
On the other side, I pointed out the stand of tourist maps saying “Welcome to Phuket Island” in English and when we went up to the taxi counter to get transportation to our hotel about an hour away at Patong Beach (หาดป่าตอง), there was a map clear as day showing the island formation. Without rubbing it too much into their faces, I gave them haughty looks for fun as they looked away in shame, realizing that their (faulty) logic had been to no avail.
We ended up in a minibus (smaller than Hong Kong minibuses) to Patong Beach and our lodging, the Patong Swiss Hotel. The whole ride was in the dark, but from what I could see (mostly buildings), it became obvious that we weren’t in China anymore. The funny thing was that this was the first time on the whole trip that we (myself included) had been outside Greater China. As I’ve just recently figured out, this was to be my last trip outside Greater China before going back to California.
The thing is, though, that despite the fact that we were in a foreign foreign country, there was more English on signs and in general than Thai (which by the way is quite aesthetically pleasing). Our minibus stopped midway at a storefront to collect our tickets, and after politely refusing their tours and excursions, I got back onto the bus.
Arriving at the Patong Swiss Hotel, I was exhausted. By this time, it was about 1:00 a.m. Hong Kong Time and about midnight local time. Ready to lie down, we checked in to find that they had given us just two beds for our five-person reservation. One person got sick though before the trip, so we arrived as four. So the first night we ended up sharing beds, though the next morning we were given two bigger rooms (and me my own bed). Like in Guilin, the showers were without curtains, which only meant to me that the cleaners would have more work (though I tried hard not to get water everywhere).
That first night, I studied for my Fine Arts final, which was to take place the day after we got back to Hong Kong. The rest of them went out exploring Patong Beach nightlife.
The first morning, I woke up in a rut. It was quite hot and humid (though admittedly not as bad as my first weeks in Hong Kong), and we had just come from sub-75 degree temperatures back in the SAR.
After getting ready, we went out the front door, and much to my amazement, the beach lay right across the (two-lane) street from the hotel. I hadn’t noticed it at all the night before! I guess I forgot that my friend booked us a beachfront hotel.
We walked a couple blocks along that street. What was expected were the large volumes of shops selling merchandise, particularly knock-off brands. What wasn’t expected was the large number of expats there—and I say expats rather than tourists because most men were hand in hand with Thai women (though I remain open to the interpretation that many of them could just be escort). It was odd to see such a large expat population, but on the other hand it wasn’t unreasonable since they, along with the large numbers of European and Australian tourists present, were the reason for all the English signage.
Walking by, the hawkers try to grab your attention—and they do it much better than in Mainland China and definitely better than in Hong Kong, where they don’t even attempt. There, they understood the value of the relationship in business. Rather than pulling you in by listing off their merchandise, they’d start by “Hello, where are you from?” or “My you’re handsome,” or something to that effect. I personally got a lot of “你好s.” One of my American friends who speaks Cantonese answered back: “I speak Cantonese” in English, to which I laughed.
We got breakfast at one of the many done-up venues. I got some authentic Pad Thai, which was delicious, and some (real?) Thai Tea, which tasted more like cold milk than anything else.
This is the only trip that I took this term that I didn’t really take to get any historical culture out of—no sightseeing, more fun I suppose (though I enjoy sightseeing).
So that day we actually got to ride (Asian) elephants. It cost ฿500 Thai Baht for a half hour (฿33 Baht = $1 USD), so that was like $15 USD. The experience wasn’t really like I’d imagined. I’ve ridden on horseback on multiple occasions (and my fair share of carnival ponies when I was under three feet tall), but never an elephant.
There was a platform to mount them that was a good ten feet in the air. Getting on was intimidating, as you were to step onto the elephant’s back to get into the seat secured on the elephant. The guide sat right behind its head, on its neck with his feet touching the elephant’s ears. To move left, the guide would shake the elephant’s left ear with his left foot, and to move right, the guide would shake the elephant’s right year with his right foot.
The whole thing made us feel oddly sad for the elephants, and remembering back the horses, I remember having similar sentiments, only to cast them off by saying that we aren’t the first to do this.
We were taking all over a muddy trail. The barefooted guide dismounted the elephant halfway and took pictures of us, this led the elephant back to the base with voice commands. At one point, the elephant began to make a wrong turn, and the guide hit its right leg hard with a sickle-looking rod, making a vicious sound and making us wonder what was going on.
I guess we couldn’t help but to feel sorry for the elephants. I guess you could hope that at least they are well taken care of and fed properly. As we dismounted the elephants, one put its trunk up on the platform. My friends petted it, thanking him (or her) for his (or her) service. I guess I was too busy taking photos, because as I reached my hand out after putting my camera away, it retracted its trunk and went on its way.
The rest of the day we went around the shops and played a modified (and more intense) form of Jenga at a bar. At night, we got Mexican food. Right after, I went back to the hotel to keep studying for my Asian Art History class.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
Friday, November 27, 2009
Class Roundup: Asian Art History
Introduction to Arts of Asia: Past and Present (coded FINE1008) was my first and only class to end thus far. I took the final this past Monday and now have but to wait and see what I get in the class. This class roundup serial is for me to conclude my posts about the classes that I’m taking here. It’s odd in a way that everything’s ending. I’ve echoed this before and I will still talk about it later in more detail, but I feel like I’m just not ready to go back yet.
This class was comprised of three assessments apart from general participation in tutorials and attendance at lectures. (I didn’t miss a single class or tutorial for this class). The three assessments consisted of two medium-sized papers and one final examination.
The two term papers were different for me. It was a challenge in that I’d never written a paper for any humanities subject before. Writing for political science, much is quantitatively based, more so at UCSD than at HKU (where we seem to be more on the philosophical side of things), I was constantly unsure of whether what I was doing was right. Furthermore, I wondered whether what I was doing was wrong.
The first paper, we had to choose any one object from either the HKU Art Museum, the Hong Kong Museum of Art, or Sotheby’s art auction house. Not really opting for traveling, I chose a Buddhist statue in the university’s art gallery. It was of Weitou, guardian of the Dharma (named Skanda in Sanskrit). The statue was gilt wood, but I could find hardly anything on Weitou or wood gilding. I was forced to deduce more than I was comfortable with and rely heavily on my own opinions and observations without having published scholars to back me up. When it was all said and done, I got an A-, which considering that she said she doesn’t grade easy, was a relief.
The second paper, we had a choice between two tasks. The first was do create a piece of art ourselves using the techniques talked about in class. This had to be accompanied by a paper describing your own work, telling why and how you used certain techniques. And I preferred to do this assignment. However, seeing that I had about a week to do this assignment (which is no time by my anti-procrastination standards), along with the fact that I had no idea where to get the resources to paint, I felt pressured to do the second task.
The second task was to compare two particular handscrolls, one a copy of the other. My thesis was something to the effect of the techniques used in the copy bring more meaning to its basis in the original. I got a B+ on it.
As for the final, the jury (of one member) is still out. I won’t likely find out my grades until January at the earliest, late March at the latest. All things considered though, I felt I did reasonably well.
It was organized into three parts: image identification, unfamiliar object identification, and short essay.
Image identification consisted of four pictures of works we studied in class. To each we were to place with applicable names and titles as well as a general time frame. In addition, we were to describe the significance of the presented works and analyze their importance, preferably with a sociohistoric emphasis.
To study for this, I printed out all the images from the Fine Arts Interactive Visual Archive (or FAIVA for short), and took extensive notes on them in lecture and in tutorial, as well as on the side, like information on the time period in general and background information on the author and such. As a rough estimate, there were between thirty and forty images that I went through over and over.
Out of the four of them, I probably did a bang-up job on like two and a half of them. The other one and a half I believe I knew enough to earn most of the points.
For the second part, we were to be presented with a (replica) ancient Chinese object. In all honesty, the only reasonable object that she would have given us was an ancient Daoist vessel—and it was.
For this, we had to describe the technique behind making it (basically bronze into a clay mold) and its significance. I figure I did pretty well. I had a lot to say about it, especially because she talked about it extensively in the last tutorial (and I took extensive notes which I studied over).
The last part was a short essay question. We were given the topics beforehand—to describe the function, significance, and perception of a place of leisure either in Ming China or Japan. I went over the Ming Garden, since the professor reviewed that one as well the day before in tutorial.
I have reason to believe that I did decently well in the class. Hopefully I got at least a B+, which they say will round up a third to an A- when grades transfer back to UCSD.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
This class was comprised of three assessments apart from general participation in tutorials and attendance at lectures. (I didn’t miss a single class or tutorial for this class). The three assessments consisted of two medium-sized papers and one final examination.
The two term papers were different for me. It was a challenge in that I’d never written a paper for any humanities subject before. Writing for political science, much is quantitatively based, more so at UCSD than at HKU (where we seem to be more on the philosophical side of things), I was constantly unsure of whether what I was doing was right. Furthermore, I wondered whether what I was doing was wrong.
The first paper, we had to choose any one object from either the HKU Art Museum, the Hong Kong Museum of Art, or Sotheby’s art auction house. Not really opting for traveling, I chose a Buddhist statue in the university’s art gallery. It was of Weitou, guardian of the Dharma (named Skanda in Sanskrit). The statue was gilt wood, but I could find hardly anything on Weitou or wood gilding. I was forced to deduce more than I was comfortable with and rely heavily on my own opinions and observations without having published scholars to back me up. When it was all said and done, I got an A-, which considering that she said she doesn’t grade easy, was a relief.
The second paper, we had a choice between two tasks. The first was do create a piece of art ourselves using the techniques talked about in class. This had to be accompanied by a paper describing your own work, telling why and how you used certain techniques. And I preferred to do this assignment. However, seeing that I had about a week to do this assignment (which is no time by my anti-procrastination standards), along with the fact that I had no idea where to get the resources to paint, I felt pressured to do the second task.
The second task was to compare two particular handscrolls, one a copy of the other. My thesis was something to the effect of the techniques used in the copy bring more meaning to its basis in the original. I got a B+ on it.
As for the final, the jury (of one member) is still out. I won’t likely find out my grades until January at the earliest, late March at the latest. All things considered though, I felt I did reasonably well.
It was organized into three parts: image identification, unfamiliar object identification, and short essay.
Image identification consisted of four pictures of works we studied in class. To each we were to place with applicable names and titles as well as a general time frame. In addition, we were to describe the significance of the presented works and analyze their importance, preferably with a sociohistoric emphasis.
To study for this, I printed out all the images from the Fine Arts Interactive Visual Archive (or FAIVA for short), and took extensive notes on them in lecture and in tutorial, as well as on the side, like information on the time period in general and background information on the author and such. As a rough estimate, there were between thirty and forty images that I went through over and over.
Out of the four of them, I probably did a bang-up job on like two and a half of them. The other one and a half I believe I knew enough to earn most of the points.
For the second part, we were to be presented with a (replica) ancient Chinese object. In all honesty, the only reasonable object that she would have given us was an ancient Daoist vessel—and it was.
For this, we had to describe the technique behind making it (basically bronze into a clay mold) and its significance. I figure I did pretty well. I had a lot to say about it, especially because she talked about it extensively in the last tutorial (and I took extensive notes which I studied over).
The last part was a short essay question. We were given the topics beforehand—to describe the function, significance, and perception of a place of leisure either in Ming China or Japan. I went over the Ming Garden, since the professor reviewed that one as well the day before in tutorial.
I have reason to believe that I did decently well in the class. Hopefully I got at least a B+, which they say will round up a third to an A- when grades transfer back to UCSD.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
Saturday, October 31, 2009
The Point of No Return
Two months in I stand; two months in I see. Like a ship halfway to its destination, I know I have so much behind me now and yet there’s so much in front of me as well. In a way it’s misleading. I don’t really want to go back at the moment. I look forward to my return, just not this December, not in two months. However, in no way am I home scot-free. My experience here still has the very real possibility of being a naufraga in the same way that I don’t know if I’ll still be alive tomorrow. It requires constant maintenance, and more often than not, it’s an uphill battle.
I arrived August 21, confused, dazed, and fresh off a thirteen-hour flight without sleep. My passport was then used just a few times. Upon entering the country, I was given a student entry stamp on the page opposite my student visa. The square, black stamp looked to take up most of the page to my surprise. The airport gave false impressions of Hong Kong—not false as in better or worse, but false as in different. Getting off the train on Hong Kong Island, I was greeted with lots of noise, winding roads, and my first experience seeing traffic move on the left.
With time, I adjusted. The sweltering heat and humidity lessened slightly as my tolerance increased. The bus system that once confused me became manageable and I could successfully ask to get off the minibus in Cantonese—a skill than increased to requesting stops in specific locations. I found where the better food is and how to deal with copious amounts of rice.
I guess you could say that I’ve now plateaued culturally. While there still is room to grow, there will always be, and I will continue to progress, just slower. As I went from being nervous, I can now say I’m quite the opposite. Whereas at first I missed home and was counting down the days to go back, I find myself now trying to maximize the rest of my time here. I’ve lost count and already I want to do this again somewhere else next fall semester, money and time permitting, of course.
So where am I to go from here? I’ve not yet reached the top of the mountain, though I’ve been to the Peak twice. My finals schedule is starting to shape up, though I don’t care for it to end. With my eyes perpetually towards the future, I’ve decided to take the time to enjoy the present.
To this effect, I’ve begun a project that won’t be done until the end of the year. The idea hatched as I went to the Hong Kong Museum of Art for my Introduction to the Arts of Asia class to research for a paper. The topic was hand scrolls, which have an aesthetic to them that requires observation beyond that of any western painting I’ve seen.
To read a hand scroll properly, you roll it open section by section, right to left. At several meters long, each tends to tell a story, accompanied often by deeper meaning. Many are accompanied with poetry, but the use of motifs and themes allow the artist to tell the story in an abstract fashion. By story, I mean journey, and there is usually a path in the scroll guiding the reader’s eyes through this journey.
For this art paper, we were to observe Qiu Ying’s 清明商河图 or “Along the River During the Qingming Festival” as it is usually translated. We were to compare this Ming Dynasty scroll to Zhang Zeduan’s original of the same name, which was painted during the Song Dynasty. I won’t get into the specifics, though it is clear that Qiu Ying’s is not merely a copy of Zhang Zeduan’s.
To aid my paper, I bought a scaled reprint of the hand scroll at the museum’s bookstore, realizing later that it was in postcard format—fifteen postcards to be exact. Later I realized that this painting, divided into sections by the creases into postcards, being a journey, could be parallel to my journey here.
So I decided to cut apart this scroll replica into the postcards that were on the reverse. Sending them all back to my home in California, I addressed them as such, and stamped them all. As a representation of my journey here in Hong Kong, I’m sending them off from fifteen different post boxes, noting the location and its significance, as well as the date and time at which I sent it.
When I get back home, hopefully all fifteen will have arrived. At that point, I’m going to reattach them back together. This scroll reprint, in postcard/booklet format will then show the journey to the city center of Kaifeng on the front and my journey to Hong Kong on the back.
There are now four weeks of instruction left, so with deadlines looming and a push for more travels to look forward to, I shall resume my studying.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
I arrived August 21, confused, dazed, and fresh off a thirteen-hour flight without sleep. My passport was then used just a few times. Upon entering the country, I was given a student entry stamp on the page opposite my student visa. The square, black stamp looked to take up most of the page to my surprise. The airport gave false impressions of Hong Kong—not false as in better or worse, but false as in different. Getting off the train on Hong Kong Island, I was greeted with lots of noise, winding roads, and my first experience seeing traffic move on the left.
With time, I adjusted. The sweltering heat and humidity lessened slightly as my tolerance increased. The bus system that once confused me became manageable and I could successfully ask to get off the minibus in Cantonese—a skill than increased to requesting stops in specific locations. I found where the better food is and how to deal with copious amounts of rice.
I guess you could say that I’ve now plateaued culturally. While there still is room to grow, there will always be, and I will continue to progress, just slower. As I went from being nervous, I can now say I’m quite the opposite. Whereas at first I missed home and was counting down the days to go back, I find myself now trying to maximize the rest of my time here. I’ve lost count and already I want to do this again somewhere else next fall semester, money and time permitting, of course.
So where am I to go from here? I’ve not yet reached the top of the mountain, though I’ve been to the Peak twice. My finals schedule is starting to shape up, though I don’t care for it to end. With my eyes perpetually towards the future, I’ve decided to take the time to enjoy the present.
To this effect, I’ve begun a project that won’t be done until the end of the year. The idea hatched as I went to the Hong Kong Museum of Art for my Introduction to the Arts of Asia class to research for a paper. The topic was hand scrolls, which have an aesthetic to them that requires observation beyond that of any western painting I’ve seen.
To read a hand scroll properly, you roll it open section by section, right to left. At several meters long, each tends to tell a story, accompanied often by deeper meaning. Many are accompanied with poetry, but the use of motifs and themes allow the artist to tell the story in an abstract fashion. By story, I mean journey, and there is usually a path in the scroll guiding the reader’s eyes through this journey.
For this art paper, we were to observe Qiu Ying’s 清明商河图 or “Along the River During the Qingming Festival” as it is usually translated. We were to compare this Ming Dynasty scroll to Zhang Zeduan’s original of the same name, which was painted during the Song Dynasty. I won’t get into the specifics, though it is clear that Qiu Ying’s is not merely a copy of Zhang Zeduan’s.
To aid my paper, I bought a scaled reprint of the hand scroll at the museum’s bookstore, realizing later that it was in postcard format—fifteen postcards to be exact. Later I realized that this painting, divided into sections by the creases into postcards, being a journey, could be parallel to my journey here.
So I decided to cut apart this scroll replica into the postcards that were on the reverse. Sending them all back to my home in California, I addressed them as such, and stamped them all. As a representation of my journey here in Hong Kong, I’m sending them off from fifteen different post boxes, noting the location and its significance, as well as the date and time at which I sent it.
When I get back home, hopefully all fifteen will have arrived. At that point, I’m going to reattach them back together. This scroll reprint, in postcard/booklet format will then show the journey to the city center of Kaifeng on the front and my journey to Hong Kong on the back.
There are now four weeks of instruction left, so with deadlines looming and a push for more travels to look forward to, I shall resume my studying.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
Thursday, October 29, 2009
Please Don't Touch
To satisfy my non-western fine arts class for my Eleanor Roosevelt College general education requirements, I thought what better place to take such a class than outside the west? I thought it was a good idea; it was actually one suggested to us by our college at UCSD. And it really was a good idea—just not in the way I imagined.
I had a highly romanticized vision of what taking a non-western fine arts class in a non-western country, so to speak, was going to be like. I couldn’t really say what I expected, but this class was definitely not it. All that can be said is that I’m probably getting more out of such a class here than I would back home.
I actually don’t mean to go negative, because I genuinely like the class (though I had to go to the art museum across the harbor early yesterday to look at a handscroll for a research paper due Friday). Ultimately, it’s an art history class, so it is research and text based with a lot of critical analysis (though thankfully in a socio-historical setting).
So far, we’ve talked about Indian, Chinese, and Japanese Buddhism art, as well as Chinese Folk Religion art such as the banners used in funeral processions (yeah, I forgot the academic name). For Indian Buddhism, we went into stupas and depictions of the Buddha, how we know that the figure is a Buddha, and so on. Regarding Japanese Buddhism, we went over architecture and the implications on art that Buddhism and Shintoism had in their meeting and mixing. For Chinese art we covered works commissioned by emperors as well as handscrolls and aspects of calligraphy.
There were these two weeks where we had a real hands-on application for the class that seems to have pretty much served as the highlight of the class. For one lecture, we met at the Hong Kong Museum of Art where the professor meticulously went over several pieces related to the focus of the class. For one tutorial we got to practice Chinese calligraphy and painting with the same brush (which turns out is much, much harder than it looks). For another tutorial, we went to the art museum on campus where the curator set up a room for us where we got to see some of the more ancient stuff up close and actually get to handle some of the less expensive ceramic pieces.
Besides the papers and the memorization of particular artists names as well as identification of particular pieces, the class is shaping up to be a really good choice.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
I had a highly romanticized vision of what taking a non-western fine arts class in a non-western country, so to speak, was going to be like. I couldn’t really say what I expected, but this class was definitely not it. All that can be said is that I’m probably getting more out of such a class here than I would back home.
I actually don’t mean to go negative, because I genuinely like the class (though I had to go to the art museum across the harbor early yesterday to look at a handscroll for a research paper due Friday). Ultimately, it’s an art history class, so it is research and text based with a lot of critical analysis (though thankfully in a socio-historical setting).
So far, we’ve talked about Indian, Chinese, and Japanese Buddhism art, as well as Chinese Folk Religion art such as the banners used in funeral processions (yeah, I forgot the academic name). For Indian Buddhism, we went into stupas and depictions of the Buddha, how we know that the figure is a Buddha, and so on. Regarding Japanese Buddhism, we went over architecture and the implications on art that Buddhism and Shintoism had in their meeting and mixing. For Chinese art we covered works commissioned by emperors as well as handscrolls and aspects of calligraphy.
There were these two weeks where we had a real hands-on application for the class that seems to have pretty much served as the highlight of the class. For one lecture, we met at the Hong Kong Museum of Art where the professor meticulously went over several pieces related to the focus of the class. For one tutorial we got to practice Chinese calligraphy and painting with the same brush (which turns out is much, much harder than it looks). For another tutorial, we went to the art museum on campus where the curator set up a room for us where we got to see some of the more ancient stuff up close and actually get to handle some of the less expensive ceramic pieces.
Besides the papers and the memorization of particular artists names as well as identification of particular pieces, the class is shaping up to be a really good choice.
Copyright © 2009 James Philip Jee
This work may not be reproduced by any means without express permission of the author.
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